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・ Adolfo Luján
・ Adolfo Lutz
・ Adolfo Luxúria Canibal
・ Adolfo López Mateos
・ Adolfo Machado
・ Adolfo Mancuso
・ Adolfo Margiotta
・ Adolfo Marsillach
・ Adolfo Martín González
・ Adolfo Matos
・ Adolfo Mazzone
・ Adolfo Mella
・ Adolfo Meléndez
・ Adolfo Mendoza
・ Adolfo Menéndez
Adolfo Mexiac
・ Adolfo Miranda
・ Adolfo Moran
・ Adolfo Mota Hernández
・ Adolfo Mourão
・ Adolfo Moyano Burgos
・ Adolfo Méndez Vides
・ Adolfo Müller-Ury
・ Adolfo Nef
・ Adolfo Nicolás
・ Adolfo Obiang Biko
・ Adolfo Odnoposoff
・ Adolfo Orive Bellinger
・ Adolfo Orsi
・ Adolfo Ovalle


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Adolfo Mexiac : ウィキペディア英語版
Adolfo Mexiac

Adolfo Mexiac (b. August 7, 1927 Cuto de la Esperanza, Michoacán) is a Mexican graphic artist who is known principally for is politically and socially themed work, especially with the Taller de Gráfica Popular and with fellow graphic artist Leopoldo Méndez. He also painted several murals, the most important of which deals with the history of human law at the University of Colima. In 2011, a “national homage” was held for the artist at the Museo de la Estampa in Mexico City.
==Life==
Adolfo Mexiac was born on August 7, 1927 in Cuto de la Esperanza, Michoacán. He began to study painting at the Escuela Popular de Bellas Artes in Morelia. Later he moved to Mexico City to study at the Escuela Nacional de Artes Plásticas. He also studied at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", with one of his teachers there being José Chávez Morado.
He learned engraving studying for three years at the Escuela de Artes del Libro located in Colonia Roma, learning various techniques, especially wood engraving, using a jigsaw method to piece the image together which allowed the introduction of various colors, some of the first work of its kind.〔〔
At age seventeen he changed his last name from Mejía to Mexiac.〔
His artistic and personal career was tied to the promotion of leftist causes. He said that fellow political graphic artist Leopoldo Méndez treated him like a son.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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